“In my next concert I’ll be playing Janacek, Rachmaninov, Tchaikovsky and also contemporary composers; Borenstein and Waley-Cohen.
I have an interest in playing new music; I wanted to explore more than the Classical composers I was mainly playing; perform contemporary music and also work with the composers. I don’t collaborate with the composer until the piece is delivered to me. It is at that point that I get involved; before that I don’t know what the composer is creating. So I work with the music and with the composer, and see what the composer wants from me.
Five Breaths by Freya Waley-Cohen was written specifically for me. When she handed me the score I had questions. We talked about phrases and tempi changes, we discussed everything in detail and also elements that were not written out.
I hope that my style of playing has an effect on the composers I work with; that I influence in some way the composition, through the composer having an understanding of my performance.
I have played contemporary music before, but now I have a stronger interest. In Israel we grow up playing contemporary repertoire and that must be part of the reason why I lean towards contemporary composers now. I think it was always important back in the day, and now we must do the same because we have to keep moving forward.
I play a lot of chamber music and I’m also preparing for several solo concerts in Europe. I’ve recorded a Tchaikovsky CD and looking forward to my second recording.
I came to England to do my Masters at the Royal Academy of Music and decided to stay because I like it so much here. There are lots of things around the business of music, superficial things, to do with image, looks, marketing, but what is ultimately most important is the music itself. When it comes to stage fright, I don’t think there’s a solution but I do think you get used to it. In a way, stage fright serves a purpose and eliminating it completely may be counterproductive; I think it means you care about the performance.”(Nadav Hertzka)
Come hear Nadav Hertzka perform at the Markson Pianos Concert Series
July 30th at 7pm
£6 (£3 concessions) on the door
St Mary Magdalene Parish Church, Munster Square, London NW1 3PL
July 30th at 7pm
£6 (£3 concessions) on the door
St Mary Magdalene Parish Church, Munster Square, London NW1 3PL
Programme:
Janacek: In the Mists
Borenstein: Reminiscences of Childhood op. 54
Rachmaninov: Elegie in E Flat Minor, Op. 3 No. 1
Waley-Cohen: Five Breathes
Tchaikovsky: “The Seasons” Op. 37b (selection)
Borenstein: Reminiscences of Childhood op. 54
Rachmaninov: Elegie in E Flat Minor, Op. 3 No. 1
Waley-Cohen: Five Breathes
Tchaikovsky: “The Seasons” Op. 37b (selection)
Bio
Israeli pianist Nadav Hertzka has performed throughout the United States, Europe and Asia in major venues such as Carnegie Weill Hall, Wigmore Hall, Kings Place, Shanghai Conservatory, and Avery Fisher Hall. His festival appearances include the Mostly Mozart Festival in Lincoln Centre, the Beethoven Festival in Israel and the Mozart Festival in Malta, as well as engagements in China, Russia, Czech Republic, Switzerland, Austria, Belgium, England and Scotland.Connect with Nadav Hertzka
Israeli pianist Nadav Hertzka has performed throughout the United States, Europe and Asia in major venues such as Carnegie Weill Hall, Wigmore Hall, Kings Place, Shanghai Conservatory, and Avery Fisher Hall. His festival appearances include the Mostly Mozart Festival in Lincoln Centre, the Beethoven Festival in Israel and the Mozart Festival in Malta, as well as engagements in China, Russia, Czech Republic, Switzerland, Austria, Belgium, England and Scotland.Connect with Nadav Hertzka